I've been struggling to write my second book for awhile
now. I really wanted the story of Jamie
and Chase to continue, but as much as we would love it in our own lives, two
hundred pages of a couple in love just wouldn't be that interesting of a read. Shortly after finishing the final, FINAL
versions of "Fame, Love and other Lessons", I was trying to imagine
what would happen to the characters. Something that would show that their story
wasn't over yet, but something that would ring true.
I pondered.
I procrastinated.
Nothing.
So I thought I should move on. Luke, Jamie's older brother, was a character
worth exploring. He was a nice, if
typical guy in his twenties, albeit one who was handsome, had a great job, and
the worldliness that came with having lived the life of a college athlete. What would it be like if his heart got
broken? What kind of woman would he fall
head over heels for? I still may get
back to Luke, but not yet.
Most writers can probably relate to what happened next,
while those who aren't will wonder if I drink (the answer: no, because it takes
me two days to recover from just one glass of wine). But I had an image of Chase in a foreign
country, seriously hurt, thinking that he was going to die all alone. My first thought was, wait---what?! No, no, this isn't what I
had in mind! Can we go back to Luke? In short, I had that all-too-common experience
of creating a character that began to take a life of it's own. A writer friend of mine once told me that he
saw his characters, like minature toy soldiers, enacting scenes of what should happen
next on the top of his monitor. Another
one told me she would have dreams about them. My characters sneak up on me unannounced, and
I find myself watching them like a film in my head. Anyway, I really didn't want to pursue this
line of thinking. One, because I didn't
want to write a story about loss and two, because as a reader, you expect a
certain trajectory in a series.
"Fame" is a light, happy read.
It would be as if the second installation of "High School Musical" suddenly
turned into "The Virgin Suicides".
So I procrastinated some more.
But eventually, it became too clear to ignore. A scandal has caused Chase to be expelled
from the NBA for a year, and he moves to Spain to play in the European League. As a result of what he's done, he and Jamie
break up. During a game, a bomb goes
off, and he's hurt. As he lapses in and out
of consciousness, unsure of whether he's still alive or not, he thinks about
Jamie, and we find out what happened to get him to this point.
This isn't the story I expected, but now that it's
crystallized, I think it's the story that I'm ready to tell.